"The Threepenny Opera" Performance

“The Three Penny Opera” surprises by precision and actuality. Each gesture, each word of the actors drop in the spectators souls, which have been very responsive, almost when talking about a music-hall. This show has a good deciphering of the text and comes with a new scene proposal the premiere of the theatre “Luceaf?rul”, due to its original concept and the play of the actors, succeed to involve all the time the spectator. It is a performance that has power, and addresses to the audience by the its fairy tale and emotion.
It has been told that the theatre is an invitation to a discussion, or like it is usual to affirm that the theatre is the mirror of the society. But Brecht gives the version that the art is not a mirror, the art is a hammer. As a reason we can say that “The Three Penny Opera” is a text able to crush any illusion.
   From the first scene of the performance we may guess what will happen in the fallowing, we infer the nature of the character of this suit and his manner to play, Boris Foc?a succeds to give to this performance the propriety and the rafinement of a depraveld world. Keeping away from symbols, the metaphors more explicites, the gesture, the coreography that he uses are more than explicites.